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Cowboy Poetry - A remarkable art form. |
There are probably as many definitions of cowboy poetry
as there are definers. Here's one more. It's as vast as the big skies of
Montana, and as diverse as the people that inhabited the "Old West". It's been
around a long time. It had it origins in the western cow camps in the late
1800s. While many (but not all) of the cowboy poets of today are also
entertainers who recite their poetry at "gatherings", the cowboy gatherings are
a fairly new phenomenon. While the classical "Old West" poets may have
incidentally recited their poems, they were first and foremost poets who wrote
for the printed page. this was certainly the case with S. Omar Barker, Bruce
Kiskaddon, Arthur Chapman and Henry Herbert Knibbs to name a few.
Cowboy poetry was popular in the rural and western communities up
through the forties. It has recently regained its popularity... and this is due
to the poets who recite in the many cowboy poetry gatherings across the West. To
these cowboy poets, those of us who just read or write cowboy poetry are
indebted.
Cowboy poetry is as different from the free verse of today, as day is
from night. Some say that this is one of the main reasons for the current
popularity of cowboy poetry. It has rhythm and rhyme. It is not so esoteric
that few, if any, people know what the poet is talking about. Quite the
contrary; it clearly sets out in appropriate words and phrases, the spirit and
heart of the western way of life. The reader and listener knows and enjoys what
the poet is saying...and is left with the lilt of the poem on his tongue.
Robert Frost compares modern free verse to playing tennis without a
net- too easy, without challenge, no fun! W.H.Auden describes the problem this
way:
| The poet who writes "free" verse is like Robinson Crusoe on his desert island: he must do all his cooking, laundry and darning himself. In a few exceptional cases, this manly independence produces something original and impressive, but more often the result is squalor- dirty sheets on the unmade bed and empty bottles on the unswept floor. |
For decades, the readers and lovers of classical
poetry have been the captive audience of a movement that glorified free
verse and would tolerate nothing else. The classical rhythm and rhyme of
Shelley and Keats were no longer "politically acceptable". Substantially all
that appeared in journals or that was considered by the literary elitists
was modern free verse...and the more like a riddle it was, the better they
seemed to like it.
After a 40 year or so drought, along came today's cowboy poets and
the cowboy gatherings. They did much to liberate the captive audience. Many
people who were starved for the classical poetry with rhythm and rhyme (as
opposed to free verse) ate it up. Apparently, there are many people who
prefer poems with a recognizable rhythm and rhyme. It seems that this is, at
least in part, why cowboy poetry has gained such popularity. Of course it
helped that there were/are many talented cowboy poets who are equally
talented entertainers. Reading a good poem is a pleasure, but hearing it
presented by a talented performer adds yet another dimension to the poem.
There is probably a valid distinction that can be made between
cowboy poetry and cowboy verse. The former embodies the language of
classical poetry: imagery, figurative language, simile, personification etc.
The latter has a strong emphasis on rhyme and meter but relies on wit,
originality and humor with little emphasis on the classical language of
poetry. The objective of cowboy verse is to entertain...and it succeeds in
doing exactly that. That's why cowboy gatherings are so popular. Good
cowboy verse is clever, witty and highly entertaining. Cowboy verse is just
downright " a lot of fun". to listen to and to read. And it is worth
noting, that one of the most successful poems/verses of all time was a
verse by Robert Service. The Shooting Of Dan McGrew rolled up
a half million dollars for him....and keep in mind that was in the 1950s.
The rhyme schemes and meters of Robert Service are universally
recognized as superior. There are at best a handful of American poets that
are more skillful at crafting rhyme schemes and meters. The obituary that
appeared in the Pittsburg Sun-Telegraph of Sept. 16, 1958, said this of
Robert Service:
| "A GREAT POET died last week in Lancieux, France, at the age of 84. ...He was not a poet's poet. Fancy-Dan dilettantes will dispute the description "great". He was a people's poet. To the people he was great. They understood him, and knew that any verse carrying the by-line of Robert W. Service would be lilting thing, clear, clean and power-packed, beating out a story with a dramatic intensity that made the nerves tingle." |
When it comes to rhyme schemes and meter, Edgar Allen Poe, may not
have been surpassed.... but Robert Service came close to doing it, and some
folks would argue that he did it. And there are many that would argue that
with his poem "When They're Finished Shipping Cattle In The Fall",
Bruce Kiskaddon did it!! The rhyme scheme and meter, the lilt and artistry,
the sheer magic of this poem is about as good as it gets. This poem has
enchanted readers and audience like few others.
Cowboy poetry embodies both classical poetry and verse...neither
form is superior to the other. It takes a skillful and very witty poet to
turn out the verse of Henry Herbert Knibbs in "Punchin' Dough". But
Knibbs has also written fine poetry that embodies the elements of classical
poetry such as "Make Me No Grave". There are cowboy poets that are
included in anthologies of North American poetry; and Henry Herbert Knibbs
is just one of them. His poem, "The Trail Makers" is included by literary
elites (such as Louis Untermeyer) in their anthologies of first-rate
American poems. This is also true as regards certain poems of Robert Service
such as "Spell Of The Yukon" and "Men That Don't Fit In".
(Both of these poems along with Knibb's "Punchin' Dough" and "Make
Me No Grave" are featured on The
Range Writers.)
Cowboy poets have captured and helped preserve the spirit of the
"Old West"; and they have brought back rhythm and rhyme to the art of
poetry. In doing so, they have given a great deal of pleasure to readers and
audiences across the country.
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